The piece has 11 verses and is very long, but its design is simple: a triple progression of form and harmony. Part I in the key of E major, Part II in the key of D major, Part III in the key of D major, Part IV in C major, and the ending in F major where the last verse is instrumental.
The matrix does not only describe the order of chords—it describes the rule by which text, harmony and form evolve together. Every chord triggers a harmonic series, every tonal block is local DNA, and the whole folds into a spiral: E → D → C → F. Three progressions, one matrix. Not a score, but code.
The system keeps a three-phase structure: three progressions, four verses in Part I (E major), three verses in Part II (D major), three verses in Part III (D major) and the 11th final verse in Part IV (C major → F major).
The whole divides into three tonic parts: Part I (verses 1–4 with lyrics in E major), Part II (verses 5–7 with lyrics in D major), Part III (verses 8–10 with lyrics in D major), Part IV verse 11 instrumental in C major ending in F major, while keeping the full matrix of 11 verses in the harmonic design.
The triple progression is not just a formal division. Each part has its own lyrical theme and its own energy vector:
Harmony follows the text, the text follows the harmony.
harmony · 3 parts · 11 verses · matrix
E D A E
E D A E
+
A G D A
A G D A
D C G D
D C G D
+
G F C G
G F C G
D C G D
D C G D
+
G F C G
G F C G
C B F C
C B F C
+
F D♯ B F
F D♯ B F
You are somewhere, far away, a hundred miles from me,
From the Internet I know your face and a few memories.
Write me, please, just write to say how to change my fate,
I want to be right there with you, hear your voice vibrate.
You are somewhere far away, yet here you feel so near,
Through the window I can see you, waking me from fear.
Write me, please, just write and tell how I can find your way,
I don’t want to stay here lonely, I don’t want to stay.
Just a couple warming words from you can light my day,
They illuminate my journey, chase the dark away.
Write me, please, just write and show where I should seek your hand,
I don’t want to stay here lonely, I don’t want to stand.
I would like to touch your fingers, see your gentle face,
Sit beside you, learn your stories, feel your secret space.
Be beside you, truly love you, that is all I crave,
I don’t want to stay here lonely, I don’t want this cave.
To love you, and together shape a world so bright,
Live in harmony forever, like the flower of life.
Nothing now can change our path — it’s meant to stay this way.
Let this moment never fade — let this moment stay.
I want always to be with you, nothing breaks our flame,
I want to preserve this feeling, freeze the flow of time.
I will turn around the gravity, rearrange the sky,
You’re the fire in my spirit, life that cannot die.
I will stop the time and sunlight, I will change the frame!
I have loved you here forever, since before you came.
No one’s ever going to stop me, never hold me tight,
I’m the fire in your fingers, burning through the night.
I will make a life symphony, shape it like a scheme,
Turn the chaos into puzzle, scored in E major’s gleam.
Every note and every chord line will be building worlds,
Live in love and perfect harmony through billion years unfurled.
Two together, bound forever, we will weave one thread,
All the universe will whirl then, Schrödinger’s cat ahead.
Every quark, even the strange ones, now will dance in tune,
Crazy electrons spin around us, rushing to commune.
I will never lose my energy, I draw it from my dreams.
I will turn my life to spiral, stand against all schemes.
No one’s ever going to stop me, let the music flow,
I’m the fire in your fingers, let this story grow.
Verse 11 — instrumental solo in C major → F major.
The text is silent, only harmony speaks. The spiral moves beyond words.
| element | status |
|---|---|
| 11 verses — division 4+3+(3+1) | ✓ three-phase structure · Thesis → Antithesis → Synthesis |
| Part I / II–III / IV — triple progression | ✓ E major → D major → C major/F major |
| tonal spiral E→D→C→F | ✓ subdominant motion without abrupt jumps |
| text as evolution code | ✓ searching · declaration · cosmic symphony |
| instrumental F major at the end | ✓ open vector · no closure · invitation to the next cycle |
| local chord DNA in each part | ✓ E–D–A–E · D–C–G–D · C–B–F–C / F–D♯–B–F |
| text–harmony consistency | ✓ every image has its counterpart in tonal motion |